• Home
  • Introduction
  • Text & Word Works
    • Phenomenotes (3)
    • Sign Patterns
    • The Time Table
    • Focal Point (Energy Field)
    • Countdown (Millennial piece)
    • Fragments
    • Headstone (Laying NO to Rest)
    • Compact Record of Discarded Thoughts
    • Scroll of Babble
    • The Hour Of Our Fate
    • Postcards
  • Artist's Books/Bookworks
    • Graphite/Reflections
    • Four Day Diary
    • PM
    • Eye To Eye
    • Liber Dermis (Skin book)
    • Apothecary
    • Book of Maladies
    • John Brown's Body
    • Facade (Compendium Wall)
    • Giordano's Window
  • Drawings
    • Box Shadow Studies
    • Wall Charts
    • Composition of Images, Signs and Ideas
    • Untitled (Tondo drawings)
    • Dutch Manuscript
    • Untitled ('map & case')
    • Untitled
    • Untitled (smudge)
    • Shadow Work Series (6)
  • Constructions
    • Untitled (Rotor)/Mixer
    • Pairing Vessel
    • Untitled (Mill)
    • Turntable
    • Sensor
    • Sight/Site
    • Colonic Flute
    • Hooklinesinker
    • Dry T
    • Scale For The Blind
  • Assemblage
    • Caged Spring
    • Art of Bandaging
    • Breathing Station
    • Magritte's Old Saw
    • Mantle (After a Fashion)
    • Bucolic Strains
    • Enchanted Isle
    • Small World/Ringing Silence
    • Twilight of Eden
    • Shew Stone (After John Dee)
    • Casuality
  • Collage
    • Illustrated Man (Culture and Nature)
    • Poet's Journal (4)
    • History Lesson
    • Map of Chaos
    • Pulse
    • Shattered Illusion
    • Tangle
    • Dark Web (Machinations)
    • Recollections (4)
    • Emergent Self
    • Echo Chamber/Night Soil
    • Skeleton Crew
    • Shadows and Names Fool's/Gold
    • Crucible (Document)
    • Paradise
    • A Tale of Two Worlds
    • A Tale of Two Worlds (text)
  • Resume
INTRODUCTION An experimental approach to art making, coupled with an abiding sense of the poetic, are the hallmarks of my art. It is an art that has explored this approach and sensibility through a variety of media and artforms over the years: text works, poetry, artist's books and bookworks, performance art, drawings, paintings, collage, assemblage and constructions. Central to much of this work is the use of found or readymade material. While this practice is widespread, it doesn't always lead to compelling results. What seems required is an experimental and poetic approach to art making that makes ideas clear and palpable. This is where cognition or the cognitive enters the picture. The clarity and concreteness of an artwork stems from an active imagination and an awareness of the many ways that we think, see and feel about things. Poetic ideas can be developed from found things by paying attention to and utilizing their salient or unusual characteristics. In my work, the ideas thus realized are generally of a symbolic and or metaphorical nature: poetic ideas expressed in either visual or verbal terms, or both. Given the broad range of my art making over almost 50 years, categorizing it in terms of recognizable media or artforms serves to highlight its ongoing experimental nature. Many of the artworks represented here are hybrids in the sense that they could be categorized in more than one way. How a work is classified depends upon what aspect of the work is emphasized. A particular artwork might have elements of both a text work and a collage, or elements of both a bookwork and a construction. Any categorization of artwork is somewhat arbitrary, but it is a helpful tool, especially when the artist seems to have no appreciable 'signature style.' Considering the experimental nature of much of my work, it follows that many of the artworks have inspired written commentaries; musings on the processes of their making and offering possible interpretations as to their meaning or significance. For the creative artist, creativity doesn't end with the artwork; it is an interrelated or integrative process bringing to bear perception, imagination, thought and feeling, for artist and audience alike. For a more comprehensive statement about my work access the following link. Paul Forte 2020 pauljforte@gmail.com Home page: Under the Influence, collage detail. Paul Forte 2013

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