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  • Introduction
  • Text & Word Works
    • Phenomenotes (3)
    • Sign Patterns
    • The Time Table
    • Focal Point (Energy Field)
    • Countdown (Millennial piece)
    • Fragments
    • Headstone (Laying NO to Rest)
    • Compact Record of Discarded Thoughts
    • Scroll of Babble
    • The Hour Of Our Fate
    • Postcards
  • Artist's Books/Bookworks
    • Graphite/Reflections
    • Four Day Diary
    • PM
    • Eye To Eye
    • Liber Dermis (Skin book)
    • Apothecary
    • Book of Maladies
    • John Brown's Body
    • Facade (Compendium Wall)
    • Giordano's Window
  • Drawings
    • Box Shadow Studies
    • Wall Charts
    • Composition of Images, Signs and Ideas
    • Untitled (Tondo drawings)
    • Dutch Manuscript
    • Untitled ('map & case')
    • Untitled
    • Untitled (smudge)
    • Shadow Work Series (6)
  • Constructions
    • Untitled (Rotor)/Mixer
    • Pairing Vessel
    • Untitled (Mill)
    • Turntable
    • Sensor
    • Sight/Site
    • Colonic Flute
    • Hooklinesinker
    • Dry T
    • Scale For The Blind
  • Assemblage
    • Caged Spring
    • Art of Bandaging
    • Breathing Station
    • Magritte's Old Saw
    • Mantle (After a Fashion)
    • Bucolic Strains
    • Enchanted Isle
    • Small World/Ringing Silence
    • Twilight of Eden
    • Shew Stone (After John Dee)
    • Casuality
  • Collage
    • Illustrated Man (Culture and Nature)
    • Poet's Journal (4)
    • History Lesson
    • Map of Chaos
    • Pulse
    • Shattered Illusion
    • Tangle
    • Dark Web (Machinations)
    • Recollections (4)
    • Emergent Self
    • Echo Chamber/Night Soil
    • Skeleton Crew
    • Shadows and Names Fool's/Gold
    • Crucible (Document)
    • Paradise
    • A Tale of Two Worlds
    • A Tale of Two Worlds (text)
  • Resume
Sign Patterns 1974 Two of nine pages (originally produced as an artist's book). Type on paper, each 11 x 8.5 inches. In the summer of 1974 I hammered out nine pages of keyboard signs on a small Olivetti manual typewriter, one sign per page: seven punctuation marks, a plus sign, and the letter x. I typed each sign one at a time in single spaced rows over and over until a block or pattern of signs was completed. The work, an experiment finished over the course of a couple of days, was motivated by the idea that such signs constituted readymade material that could be repurposed in a primarily optical way. A fundamental notion of making (and marking) is brought to the fore in Sign Patterns through the repetitive typing or riveting of single signs. The sign patterns might be viewed as 'mechanical drawings,' which, in addition to their optical effects, are also evidence of the process of typing, making each pattern as a whole, a sign.

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